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Taylor Swift’s ‘ME!’ Is Everything Wrong With Pop
One of the most impressive things about Taylor Swift is that she keeps finding a way to offend people simply with sound alone. The story’s been the same every album rollout since 2012’s Red: Swift, the onetime mascot for speaking your own truth over humble country strums, “goes pop,” garishly and greatly. The bungee-jump yodels of “We Are Never Ever Getting Back Together,” the Jazzercise drum line of “Shake It Off,” and the rude robotics of “Look What You Made Me Do” each represented a fresh, unapologetic kind of tackiness. The first listen, in every case, had to trigger a Yikes.
Say goodbye to the snakes. After a 13-day, glitter-splattered countdown, the reptile finally exploded, bursting into a million pastel-colored butterflies to reveal Taylor Swift’s new single, “Me!”. The cut, which kicks off the 29-year-old’s seventh album cycle and features “Brendon Urie of Panic! at the Disco” — a confusing clarification as Panic! is now a solo project — dropped at midnight on Friday across all streaming platforms along with a Disney musical-esque video that sees Swift donning pastel power suits and princess gowns while Urie floats through the sky on an umbrella. “With a pop song, we have the ability to get a melody stuck in people’s heads,” Swift said Thursday at the N.F.L. draft (????). “I just want it to be one that makes them feel better about themselves, not worse.”
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